Jesi Evans : June 3rd, 2015

At First There Is Movement by Jesi Evans. Photo credit to Sarah Davis.

At First There Is Movement by Jesi Evans. Photo credit to Sarah Davis.

How are you, listeners?

Despite certain difficulties, I am here with another discussion as promised. If I sound exasperated in the interview, it’s because my computer froze during the first take…

Today’s guest is an old friend of mine, Jesi Evans. Our friendship is very much seeped in art—we met in High School art class, have shared interests regarding art & music, and have gone on to collaborate through our fledgling collective Hot Garbage.

Jesi is a Berea college grad that works primarily in fibers, with a special emphasis on embroidery. Jesi uses this rather ‘familiar’ medium to redefines craft for herself, as well as the viewer. The medium is familiar and welcoming to her due to a childhood full of projects with her mother & grandmother.

Her latest series of work delves into personal environmental concerns and the emotional response tied to them. The project is right now a work in progress, but you can get a peek at jesievansart.com. You can check out her past projects at her Cargo Collective site.

Sooner Or Later You'll Have To Go To Sleep by Jesi Evans. Photo credit Sarah Davis

Sooner Or Later You’ll Have To Go To Sleep by Jesi Evans. Photo credit Sarah Davis

For a more in-depth introduction, check out her websites and our chat using the player below.

Remember, you can always subscribe to the podcast via iTunes and keep up to date when new episodes are posted.

Till next time.

 

 

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Emily Schuhmann : February 25th, 2015

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Emily Schuhmann’s piece ‘L4 Pattern’.

Multimedia artist Alejandro Jodorowsky once said ‘ A symbol permits an infinite variety of meanings, one for every individual who perceives it.’

Emily Schuhmann is a creative who shares such sentiments. You’ll soon learn to what extent as she is my guest today.

Emily teaches art courses at Bellarmine University, as well as teaches dance as a Swing dance instructor. When she isn’t leading a class, she’s creating works primarily in the medium of metals. Aside from sculpting, her creative output includes illustration and performance.

Thematically, she is interested in symbols with layered meanings, as well as our tendency to use old information as a reference for new experiences and ideas. And as I already mentioned, Emily is really intrigued by audience interpretation and perspective; sort of in the way of the old saying ‘ Beauty is in the eye of the beholder’. She delights in how the language of symbols is interpreted by each viewer, and welcomes ‘misinterpretation’.

Her most recent exhibition, Strains Familiar, refers to both a recent ‘mysterious’ injury and her love of modern biology. This series touches on the concepts of repetition, patterns, and surprising parallels. The show ran earlier in the month at the McGrath gallery on Bellarmine’s campus.

To get a better sense, check out our discussion below, and get it right from the source.

You can also learn more about Emily at her website emilyschuhmann.com.

Enjoy.